Over the years, one of my most consistent January purchases has been the new edition of The Children’s Writers and Illustrators Market, edited by Alice Pope. It is a wonderful resource for anyone writing books for kids. It includes articles about how to get published and information on hundreds of publishers and what they are looking for. In addition, there are profiles of new and established authors and illustrators.
Author Archives: Deborah Hodge
A New Year Begins!
Happy New Year!
Seasons Greetings!
Thank you, Sage Salfi!
Sage Salfi, aged 7, is the reviewer of two of my recent books, Desert Animals and Wetland Animals. She says, “I had fun reading these books.”
Small Beneath the Sky
I am currently reading a memoir by Canadian author and poet, Lorna Crozier. Small Beneath the Sky: A Prairie Memoir is prose, written the way you’d expect a poet to write. It is lyrical, lovely and understated. After being in Saskatchewan (my birthplace) this fall, I am finding this memoir very evocative of the time and place in which it is set (Swift Current in the 1950s).
The Art of Nonfiction Writing
Recently I came across a funny and insightful article in the Globe and Mail, written by Canadian humourist, Will Ferguson. It was titled, “How’s the book coming? Well, let me tell you…” and it described what it’s like to be up against a deadline, and the many ways that authors procrastinate.
What I liked best about his piece was his comparison of writing fiction and nonfiction, and how they are different. I quote him here:
“I’ve always said that fiction and travel writing are comparable to two types of sculpturing. Fiction is like working with clay; you build something up from a single character, an image, a scent. It’s the art of addition. Nonfiction, and travel writing in particular, is like working in stone, cutting away everything that doesn’t fit. You start big and pare down, reducing the mass of possibilities, trying to decide what matters, what doesn’t.”
Me again. When I talk about writing nonfiction for children, I like to say that the author’s job is to know (or find out) as much about a subject as possible, then determine what the essence is, and decide what to leave out — in order to shape the information into a form that is meaningful for our youngest readers.
It’s an art to be simple and concise, while retaining the essence of a topic, and yet convey enough information in a way that delights, delivers, matters, and holds a child’s interest.
An American children’s nonfiction author I admire, and who does this so well, is Gail Gibbons. (She even illustrates her own books. Wow! Multi-talented.)
I wish I could have explained the process as well as Will Ferguson did (smart man!) — but alas, I cannot. However, I may borrow his quote from time to time. If you’d like to read the entire text of his article, you can find it here.
Clay Man: The Golem of Prague
I recently had the pleasure of reading an inspired new book by my friend and fellow author, Irene Watts. Clay Man: The Golem of Prague tells the story of how, in 1595, a protector of the Jewish ghetto in Prague came into being. Clay Man, the protector, was molded from the clay of a riverbank by a rabbi and infused with life by the rabbi’s words. Clay Man’s job is to keep the people of Jewish town safe from fierce anti-Semitic attacks.
2009 Information Book Award
One Peace: True Stories of Young Activists is the winner of this year’s Information Book Award, given by the Children’s Literature Roundtables of Canada. Congratulations to Janet Wilson! She’s the talented author and illustrator of this worthy book.
2009 Hycroft Event

If you’re in the Vancouver area, consider giving yourself a fall treat by attending the launch of dozens of books, written and illustrated by talented BC creators. The event will be held at Hycroft Manor, on November 10 at 6:30 pm.
Autumn Poem
The summer-flower has run to seed,
And yellow is the woodland bough;
And every leaf of bush and weed
Is tipt with autumn’s pencil now.

